November 2012. 11pm. Cambridge. An audience of 50 people, predominantly made up of student journalists and hard-core late night theatre-goers sat in the Fitzpatrick Hall of Queen’s College and waited as an arpeggio in A minor played out to setting blue lights. My production of Ntozake Shange’s ‘For Colored Girls [who have considered suicide when the rainbow is enuf]’, had landed. Directing, co-producing and acting in the show had many challenges. Yet, when the four and five-star reviews rained in, and the seats filled up to maximum capacity, I could only smile and get ready for three more nights of incredible action as we made theatrical history.
The first time an all black all female cast had ever graced a Cambridge stage, the play follows the lives of seven women identified solely by the colour of their clothing. A combination of spoken word poetry, physical theatre, music and dance ‘For Colored Girls’ is an evocative social critique that gives a piercingly authentic look at urban life through the brash lens of beautifully unrefined poetry. Tackling experiences of rape, domestic violence, infidelity and sisterhood ‘For Colored Girls’ takes its characters and audience on a liberating journey to the end of their rainbows, all the while coloured by a saucy wink of humour and sass, powerful music, dance and that ephemeral attribute referred to as ‘soul’.
So, with all that underway and with people asking for more, I crazily got the idea to take the show to London, my home city. Why not go for gold? Sadly, though I am a creative at heart, a production requires more than just an artistic eye – it requires financing and budgeting. Teaming up with one of the actress, Ifeyinwa Frederick, we sat up till 4am one night in March and planned this next step in the story – For Colored Girls…London.
For over 6 months we have been planning, contacting, hustling, designing, straining our eyes at computer screens, sending rapid fire emails, lamenting over Nokia 100 phones that don’t have MultiMedia Messaging, all to bring us to this point: the promotional Launch date of For Colored Girls London.
I know I’ve been quiet for a few months since ending the 365 blog, but today, i’d like to invite you to journey with me once again as I direct, act and co-produce in Ntozake Shange’s phenomenal piece of theatre. It’s going to be raw, bloody, exhilarating, exhausting and inspiring – but we’ve done it before.
So welcome to the Death of the Writer, the Death of the Director, Co-Producer and Actress and the Birth of…For Colored Girls London 2013.
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